Ⓒ Graphic design by Joud Toamah, image by Mathias Mu
Neptune Frost (2021) by Saul Williams and Anisia Uzeyman, is an Afrofuturist sci-fi punk musical that brings together music, poetry and speculative fiction. Set in the hills of Burundi, the film follows a group of escaped coltan miners who form an anti-colonial hacker collective in a landscape built from electronic waste. Their world reveals the toxic afterlife of a global tech industry shaped by centuries of extractive practices. From this fragile terrain, they resist the authoritarian powers that continue to exploit their labour and their land.
At the center of the film are Neptune, an intersex runaway, and Matalusa, an escaped miner. When their paths cross, their connection disrupts the world around them in ways that feel both digital and spiritual. Moving between dream and waking life, past and present, the film explores how discarded technologies might be reimagined rather than reinforcing the colonial patterns that shape our digital world.
Screened as part of The Foragers, Neptune Frost asks you to pay attention to what usually slips out of view. Foraging is about what’s left behind, what’s overlooked, forgotten or written off. The film does the same with the debris of the digital age, turning waste into a space for connection, resistance and fresh possibilities.
19:00 - Introduction by researcher Josephine Delali Ofei (VUB)
19:10 - Film screening (105')
20:45 - End
Tickets are available through the Cinema RITCS website for € 8, with a discounted rate of € 4 for students and € 6 for RITCS staff, RITCS alumni, job seekers, and seniors (65+). Cineville ticket holders can attend for free but must still reserve a ticket.
Part of The Foragers: Engagements beyond the Human, an interdisciplinary art-science project that brings together artists, researchers and enthusiasts to reimagine the ancient practice of foraging as a bold, imaginative and future-facing method. This particular evening is organized in collaboration with Cinema RITCS, with the support of the EUTOPIA interuniversity alliance and the Faculty Languages and Humanities of the VUB.
Anisia Uzeyman is a Rwandan-born actress, theatre maker and director. She studied drama at the Superior School of Theatre in France and acted in Alain Gomis’ Tey, where she met Saul Williams. Her directorial debut, Dreamstates is one of the first feature films shot entirely on iPhones. As co-director and cinematographer of Neptune Frost, she brings a distinctive visual language that amplifies the film’s energy.
Saul Williams is an American poet, musician and actor whose multidisciplinary practice spans film, music, literature and performance. He starred in Slam, winner of the Sundance Grand Jury Prize and the Cannes Caméra d’Or in 1998, and appeared in Alain Gomis’ Tey. Neptune Frost, co-directed with Uzeyman, marks his debut as a feature film director.
Josephine Delali Ofei is a PhD researcher with the Centre for Literary and Intermedial Crossings (CLIC) and a member of the Meritocracy in Literature (MERLIT) research team, led by Prof. Eva Ulrike Pirker and Prof. Suzanne Scafe, at the Vrije Universiteit Brussel. Through MERLIT, she contributes to a broader investigation into how meritocracy is constructed, challenged, and transformed across diverse literary and media forms. Josephine’s doctoral project, “Heroes in 21st-Century Afrofuturist Mediascapes from the Global South,” examines how contemporary Afrofuturist narratives reimagine heroism, belonging, and cultural value. Her research foregrounds Afrofuturism as a dynamic and future-oriented mode of storytelling that navigates histories of diaspora, coloniality, and global inequality while envisioning radical possibilities for African and diasporic futures.
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